Mr Simon Pepper, Chigwell School: The Emergence of Electronic Dance Music and the Politics of Public Spaces.

Mr Pepper using his own equipment illustrated the growing tension between music and socially low status of various disadvantaged groups in the USA in 1980s, such as Black Americans, LGBT people, Latinos. This helped the industrial music to emerge to demonstrate strong relation between machine and a man, which expressed itself in the development of the electronic pop. The controversy of the “oppressed” groups relieving their frustration and their need for change in music led to a moral panic in the Great Britain, particularly under the rule of Margaret Thatcher. This backlash against thatcherism was also an expression against the popular drive for consumerism, capitalist success and the productivity of individuals. Fascinating, how much we can learn from the simple movements on the floor and use of discarded industrial equipment.

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